WE'RE ALL GOING TO THE WORLD'S FAIR FILM REVIEW (2022)
We're All Going to the World's Fair contains an intriguing story. It has a strong resonance in a discussion about our current relationship with technology and social media, as well as the consequences of the lack of control that this culture is associated with. This story, however, is hidden deep within an already cryptic film that does not attempt to move in the same rhythm as other genre films.
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Jane Schoenbrun has created a world that does not encourage idle exploration. It's an organic and extreme rendering of the effect social media can have. And, no, I don't believe Schoenbrun intended things to be simple for viewers. Should we honor that? Absolutely. However, We're All Going to the World's Fair is not for everyone.
Of course, this is not a bad thing. We're just used to films opening up new worlds to us, and when that doesn't happen, we can mistake an artistic decision for a lack of talent. Things appear to be random in We're All Going to the World's Fair, but they aren't. They're far from random. We're witnessing the disintegration of a teenager's life. And it is not our responsibility to analyze what is happening on the other side of the conflict. We always like to talk about control in technological environments that could be toxic to vulnerable populations, but sometimes it's simply too late.
Casey is a lonely teenager in We're All Going to the World's Fair whose awkwardness disappears when she sits in front of the computer. Except that it isn't. Her Internet connection isn't going to cure her shyness. Casey decides to participate in the viral "World's Fair Challenge" and begins. It's just a heinous display of behavior that hints at the outcome of one of many online challenges.
Casey agrees. She keeps walking in. She doesn't even pause when a mysterious man decides to assist her and explain the strange behavior Casey is exhibiting. It's unclear what she's aiming for. One that is hidden in the depths of the Internet.
In the third act, the film appears to go nowhere with its definitive story line. Nonetheless, Schoeburn deviates from a traditional storytelling style and grounds the film when it needs to conclude. This is horror because of how it feels and because of the raw and powerful aesthetic that makes your skin crawl. But there's more to it than meets the eye. Nonetheless, when We're All Going to the World's Fair concludes, it intentionally shifts its focus. It's a decisive move by a creative team convinced that this dramatic juncture is important in the film's formula. It's not something I connected with. However, I can understand why such a decision was made.
We're All Going to the World's Fair Again This is not a film for everyone. Not because it appears experimental or anything, but because the real story it tells isn't as exploitative as other films depict similar situations. Schoeburn has created a one-of-a-kind film that cannot be compared to its peers because there are none. It is isolated in a cultural landscape dominated by mystery, technology, and existential chaos.
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